Tagasode, kamuro Tsuruji and Kashiku; Mitsuharu, kamuro Menami and Yasoji Series: Ehon Azuma nishiki matsu no kurai (High-ranking Courtesans of Edo) Signature: this page unsigned Publisher: Urokogataya Magobei Date: 1777 (An'ei 6) Original Japanese Woodblock Print, Size: Chuban (21 x 15,5 cm)

Maple Trees at Mama, Tekona Shrine and Linked Bridge Series: Meisho Edo hyakkei (One Hundred Famous Views of Edo) Signature: Hiroshige ga Publisher: Uoya Eikichi Censor's Seals and Seal of Date: aratame, Snake 1 (Ansei 4), 1st month (1857) Original Japanese Woodblock Print, Size: Ôban

(Nissaka: Sayo-no-Nakayama, the Night-crying Stone, and Mount Mugen) Series: Tôkaidô - Gojûsan tsugi (The Tôkaidô Road - The Fifty-three Stations, also known as the Reisho Tôkaidô) Signature: Hiroshige ga Publisher: Maruya Seijirô (Marusei, Jukakudô) (Japanese) Censors' Seal and Seal of Date: Mera, Watanabe, Kôka 4–Kaei 5 (1847–52) Original Japanese Woodblock Print, Size: Ôban

Second Version with Man mounting Horse Series: Tôkaidô gojûsan tsugi no uchi (Fifty-three Stations of the Tôkaidô Road, also known as the First Tôkaidô or Great Tôkaidô) Signature: Hiroshige ga Publisher: Takenouchi Magohachi Date: about 1833–34 (Tenpô 4–5), no censor's seal Original Japanese Woodblock Print, Size: Ôban

Woodblock Print, signed, 33 x 47,5 cm

Series: Seichi shiseki meishô (Famous sacred and historic Landscapes) Signature: Tomikichirô Artist's Seal: Tokuriki Publisher: Uchida Bijutsu Shoshi Date: Mid 20thh Century Original Japanese Woodblock Print, Size: Ôban

Series: Seichi shiseki meishô (Famous sacred and historic Landscapes) Signature: Tomikichirô Artist's Seal: Tokuriki Publisher: Uchida Bijutsu Shoshi Date: Mid 20thh Century Original Japanese Woodblock Print, Size: Ôban

Series: Fuji sanjûrokkei no uchi (Thirty-Six Fiews of Fuji) Signatur: Tomikichiro saku Artist's Seal: Tokuriki Publisher: Uchida Bijutsu Shoshi Date: Mid 20thh Century Original Japanese Woodblock Print, Size: Ôban

(Kuwana: Ferryboat at Shichiri Crossing) Series: Tôkaidô - Gojûsan tsugi (The Tôkaidô Road - The Fifty-three Stations, also known as the Reisho Tôkaidô Signature: Hiroshige ga Publisher: Maruya Seijirô Censors' Seals and Seal of Date: Mera, Watanabe, Kôka 4–Kaei 5 (1847–52) Original Japanese Woodblock Print

Woodblock Print, signed

Linocut, signed with pencil, 1927, 19,9 x 24,9 cm

Linocut, signed, 1930, 22,1 x 26,7 cm

Linocut, signed, 1921, 16,6 x 23 cm

Linocut, signed with pencil, 1922, 21,9 x 21,9 cm

Linocut, signed with pencil, 1923, 20,7 x 20,7 cm

Linocut, signed, 1922, 21,7 x 22 cm

Linocut, signed, 1927, 24,9 x 19,9 cm

Linocut, signed, 1922, 16,4 x 19 cm

Linocut, signed, 1930, 19,8 x 33,9 cm

Linocut, signed, 1928, 22,8 x 22,7 cm

Linocut, signed with pencil, 1923, 23 x 21 cm

Porcelain, 19th Century, Japan Diameter: 18 cm

(The Courtesan Somenosuke from the House Matsubaya) Signature: Eisho ga Publisher's Seal: Yamaguchiya Chusuke Censor's Seal: Kiwame Date: around 1796 Collector's Seal: Hayashi Tadamasa (lower right corner) Condition: restored worm holes Original Japanese Woodbock Print, Size: Ôban (36,9 x 25,5 cm)

Signature: Artist's Seal and Signature, Watermark Publisher: published by the artist Date: 1930/40ies Original Japanese Woodblock Print

Series: Kyôraku Meisho (Sights in Kyoto) Signature: Yoshimitsu Publisher's Seal: Satô shô han, red Seal "Satô kô" Original Japanese Woodblock Print, Size: Ôban (24,3 x 37,6 cm)

Series: Tokaido meisho fukei (Famous places along the tokaido road, also known as Gyôretsu Tôkaidô (The Processional Tôkaidô); here called Tôkaidô no uchi) Signature: Kunisada ga, in toshidama cartouche Publisher: Ômiya Kyûjirô Censor's Seal and Seal of Date: aratame Boar 4 (1863) Original Japanese Woodblock Print, Size Ôban

Woodblock Print, 27 x 21 cm, signed

Alfred ZOFF was an Austrian Post-Impressionist landscape painter. He completed his studies in 1890 at the Academy of Fine Arts, Karlsruhe, with Gustav Schönleber, who acquainted him the Barbizon school of landscape painting. After that, he lived in Munich and Krems an der Donau. From 1907, he was a Professor of landscape and still-life painting at the Academy in Graz, where he was an exponent of the Viennese style known as "Stimmungsimpressionismus". His memberships included the Künstlerhaus Wien (from 1883) and the Hagenbund (from 1900). Oil on Wood 1894, signed 30 x 50 cm

Woodblock Print, 25,9 x 21 cm, signed

Woodblock Print, 21,5 x 17 cm, signed